Ironspark by C.M. McGuire | Drumsofautumn ARC Review

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ARC provided by the publisher via Edelweiss

“Her soft lips against mine felt like hope. Somehow, some way, we were going to see morning, and I was going to have the chance to do that again.”

Ironspark is a book that I picked up because I was very excited by the prospect of it being a book about Fae featuring a lesbian love triangle but sadly I was let down in a lot of aspects.

This novel is about a girl called Bryn, who moved from Wales to the US with her family nine years ago, after her mother got abducted by the Fae and her father was cursed by them, because her father had deemed it a safer place for them.
But even away from Wales and the immediate danger of the Fae, Bryn made it her goal to learn how to kill the Fae in order to protect her family and in this book she needs to make use of those skills.

Now I will start this review very honestly, saying that I am not the biggest fan of any Fae stories in general. But I do enjoy the occasional one, especially if it’s diverse in some way, so I was definitely drawn to this book, especially because a lesbian love triangle sounded so very promising.

But sadly, I found much of this book boring and a lot of the storyline and world building confusing. Some of it definitely is based on the well-known Fae mythology, like the Seelie and Unseelie Court, but a lot of the things in this book I was also very unfamiliar with. There is a glossary but sadly it is at the end of the book, so I had no idea until I finished it. I am sure that it would’ve helped a little bit but my problem was also the connections between all the different kinds of Fae and mythical creatures and I just had trouble following how all of the events connected to Bryn and her family.

“I couldn’t help it. In spite of everything, a startled laugh escaped me. It felt like the worst possible time to be laughing, with everything going on… but it was sort of like grass growing through the cracks in the sidewalk. I couldn’t stop it, and it only made the cracks bigger, and soon I was laughing and tears streamed down my face.”

Now this book definitely brushed on some interesting aspect but none of them were explored enough for me personally. There is Bryn’s panic attacks, which she has throughout the novel but never get talked about more. There is her father’s hallucinations and the fact that (it seems like) doctors diagnosed him with schizophrenia due to it and he takes meds for it which never help because the actual cause is a farie curse. There are her two brothers, who she has basically raised, but the relationship between them or even their own issues they have after everything they’ve been through are never quite get explored enough. It feels like none of the aspects in this book were really fleshed out or that there was much depth to any of the characters.

There are these little Fae-like creatures called shadelings, that are good creatures and there to protect Bryn and her family. There is one in particular called Marshmallow, that basically becomes Bryn’s side-kick later on in the novel and was truly my favourite character and also the one that had the most interesting relationship dynamic with Bryn, which definitely says a lot about the other relationships in this novel.

Other than that, barely any of the side-characters had a personality that stood out and so the relationships with these people seemed dull too.
There is Gwen, a kind of water farie. Gwen and Bryn were in a relationship but Bryn broke up with her because she knew her time in this town was coming to an end soon because of going to college next year. And then there is Jasika, a girl from Bryn’s school who has a connection to the faeries too.

“At this point, it was just a physiological reaction my body seemed to have to her, one I doubted I’d ever really outgrow, no matter how long we stayed split up. There would always be the lingering sensation of fireworks inside of me where the smoke hadn’t quite cleared. My lips curled up in an automatic smile. The whole world could be burning around me, and somehow Gwen’s presence would always make it better.”

This is where the supposed lesbian love triangle aspect comes in but.. it is really not a love triangle whatsoever. Gwen and Bryn are still really good friends and Bryn worries about having broken her heart but she doesn’t really have any sort of romantic relationship with her anymore.
Bryn and Jasika develop something along those lines throughout the book but the romantic storyline was not very well done. I didn’t feel any chemistry or romantic tension between the two characters whatsoever. It honestly seemed like they barely knew each other and then one day they kiss and that’s kinda it, they’re dating. They never really talk about what they are to each other after that… or honestly talk much to each other at all, except when it is about Fae stuff. So there was absolutely nothing between the two that made me think there were romantic feelings.

I am also disappointed by the use of “lesbian” love-triangle in the synopsis. I am assuming this was done by the publisher, not the author, because the main character literally says at one point, that “not all girls who likes girls are lesbian”, and clarifies that she likes guys too and isn’t quite sure if she’s bi- or pansexual. Jasika then mentions she is questioning.

But it’s honestly very disappointing to see this labelled as a “lesbian” love-triangle when none of the characters withing this book identify as a lesbian and, even if both Gwen and Jasika would’ve identifies as such, it is still not a “lesbian” love triangle because Bryn is not a lesbian.
I know people will find this nit-picky but.. just don’t bait me with labels that do not exist in the book. Sapphic love triangle totally would’ve done it. Again, not blaming the author here, but just something I wanted to point it.

“Maybe I ought to grab her or kiss her back or do something, but mostly I was trying to wrap my head around the notion that Jasika Witters wasn’t straight and she must have read me like a freaking book and why were her lips so soft?”

The one other character that stood out was a boy called Dom. Next to Marshmallow, he was for sure my favourite character and I enjoyed the friendship between him and Bryn too because there was an actual good development between the two.
Also Dom is asexual and that term is used and explained on page. The scene does include some probing questions regarding this identity like “are you sure you’re not attracted to anyone” and “but have you tried”. I wouldn’t necessarily call it aphobia and it gets quickly challenged but I still wanna mention it.

Upon finishing this book I realized that it is not a standalone. Sadly, the ending was very anticlimatic to me. Now I don’t know if that is just because I didn’t really very invested with the characters and storyline in the first place or if others might’ve felt that way too. But I just found myself extra disappointed with the ending, leaving me with absolutely no motivation to ever seek out the sequel (which I don’t think has been announced yet though).

“People looked at me differently, and unfortunately nobody had invented an armor for pity.”

Overall, Ironspark sadly was a very disappointing reading experience. None of this book really worked for me and I found myself having to push myself through it, to the point where I even thought of DNFing it, but had too high hopes for the love triangle.. that did not happen.
I personally cannot really recommend this book, although you might wanna give this a chance if you are really into Fae stories.

Trigger and Content Warnings for panic attacks (including vomiting due to it), blood, violence, murder, hallucinations, house fire, coma (minor character).

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✨ Lea posts a review on Meltotheany every Friday! Read more of her reviews HERE! ✨

This Is What It Feels Like by Rebecca Barrow | Drumsofautumn Backlist Review

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“She played for the girls they used to be and the ones they were now, and all their fallen-apart pieces that had gotten lost or ruined or discarded along the way.”

This Is What It Feels Like is a really wonderful YA Contemporary, that has so many topics and issues packed into it.

At the centre of the story are three girls, Hanna, Jules and Dia. The three were in a band together for a long time but then two years before this story starts, a lot of things happened in their lives and they stopped making music together. The friendship between the three of them took a toll as well, although Jules and Dia remained best friends.

Jules is a Black lesbian and her love interest, Autumn, is fat and questioning her sexuality. I think that Dia is also Black but the book only mentions that she has deep-brown skin. She is also the mother of an almost 2-year old so this deals with raising a kid as a teen. Dia’s good friend and love interest, Jesse, is also Black. Hanna went to rehab for her alcohol abuse and has been sober for over a year when the story starts.

So as you can already tell, this book dealt with so many amazing and important topics and I thought everything was handled incredibly well. Because all three of them have alternating POVs, we see everybody’s perspective to all of the issues and it offers a really insightful and multi-layered discussion off all these things.

“Dia played a concert for her audience of one, under the clouds, and the moon winked in and out of sight, and she felt the anchor of the earth release her the slightest amount.”

I was really happy to see this book deal with different parent relationships. It was so refreshing to see the parents so involved. Dia’s parents are very supportive and help her raise her kid.
Hanna’s parents are super well portrayed too. They are worried about Hanna and her alcohol abuse, even after her being sober for so long. I loved the way you could tell that they were coming from a good place, even if it wasn’t received by Hanna that way or that, even when she does understand where they’re coming from, she eventually just started feeling suffocated. I thought it was a very important and well portrayed child-parent relationship.
Hanna’s sister, Molly, is also very involved and a lovely character. Seeing her relationship with Hanna, after everything they went through, was really precious.

I don’t think I’ve ever read a book about a teen mum. I feel like usually books that feature teenage pregnancy or being a teen mum are focused on that and it will be the main topic of the story and in that case it doesn’t really interest me. But seeing Dia and her relationship with her daughter was wonderful and really great to read. I also loved that it seems like most of her environment was pretty accepting. We never saw anyone make any inappropriate comments about her young pregnancy (although we know these comments do get made) and on the contrary, people seemed very supportive and I really enjoyed that.

Jules and her developing relationship with Autumn was another wonderful part of the novel. Seeing such a beautiful and wholesome f/f relationship in a book still gets me every time. There is also an incredibly well written sex scene between the two.
On top of that female masturbation is mentioned twice, although just in passing. But I’m always glad to see it in any YA as it is still a very taboo topic and truly shouldn’t be.

“But being drunk made her feel invincible, gave her cover for so many things. She said whatever she wanted, she did anything and everything that she got the urge to, and when she fucked up, she’d brush it off: ‘I was drunk! It’s no big deal.”

And then there’s Hanna’s alcohol abuse which might have been my favourite issue that was talked about in this novel. Now while I was never addicted to alcohol, I found so many of Hanna’s reasons as to why she drank and how it got so bad, incredibly relatable and seeing this in a YA and how much this could open some teen’s eyes? It was fantastic.

We shouldn’t underestimate the power of alcohol, ESPECIALLY for teens. And as someone who grew up and lives in a country, where you can start drinking beer and wine with 16, this is a topic that is near and dear to my heart. While reading this novel, I thought a lot about how trivialized alcohol is. I remember a girl from my school who had to get her stomach pumped after a party and I thought a lot about how we talked about this back then, like it was just a funny mishap.. sometimes even like something to be proud of. Looking back at how this was handled back then absolutely haunts me until this day.

On top of all these topics and issues, that were handled so very well, this also had a great storyline about friendship and music and how it can bring people together and reunite them. I loved the portrayal of the bond that you form when you make music together, especially when it’s in your “formative” years. The way these girls found their way back together through music warmed my heart immensely.

“Her skin felt raw, too tight for her body, every movement testing her limits, every rub of her clothes burning. And this whole place felt too small to contain her, pushing back against her, and how dare it, how dare it try to put a limit on what she was feeling right now.”

­
And that is still not all. There is also the aspect of grief. And there is a wonderful m/f romance as well. And as I said, almost all of these topics get portrayed from different POVs. So while Hanna’s addiction is obviously important in her storyline, we also see the way Dia and Jules feel about it, the way it impacted their lives and the decisions that they made.

Honestly I can’t quite believe how many things were in this 400 page novel and I could probably write a 400 page novel about all of the things packed into this and how amazing they all were.
But I think you get the picture.

I’m really sad that this book never got the attention it deserved. It is a really beautiful summer-y Contemporary, filled with a lot of intense topics that all get handled well.
So please pack this onto your must-read list! It is so great and important and I hope many more YA books tackle issues in such an amazing and open way.

Trigger and Content Warnings for loss of a loved one, alcohol addiction, grief.

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✨ Lea posts a review on Meltotheany every Friday! Read more of her reviews HERE! ✨

The Secret of You and Me by Melissa Lenhardt | Drumsofautumn ARC Review

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ARC provided by the publisher via Edelweiss

“We’d done everything together since we were ten years old. I couldn’t imagine life any other way. I’d never wanted to imagine life any other way.”

The Secret of You and Me is a sapphic adult romance that tackles some very serious topics and issues, all packed into a beautiful second-chance romance.

This story revolves around two women, Nora and Sophie, who fell in love when they were teenagers but couldn’t be together due to the prejudices in their small hometown in Texas. When Nora, after 18 years of being away, comes back into town for her father’s funeral, the old stories of what happened start to get unravelled and Nora and Sophie have to navigate being in each other’s lives again.

I will say that I have read less sapphic adult romances than I would like but the ones that I have read, were mostly more on the rom-com spectrum. And while I absolutely love getting a sapphic rom-com, this novel tackled some more serious topics and I very much appreciated that.

It is hard to really talk about the in-depth aspects of this novel without giving too much away, as I do think that this is the kind of novel that really works best if you go into it knowing as little as possible, especially because a lot of things that happened 18 years ago only get slowly revealed throughout the story.

“I didn’t realize until I saw you at Mel’s that you’ve held my heart in the palm of your hand all these years. Right now, I’m offering you my heart, Sophie. My soul. Can you promise me a future? ”

We get to read from both Nora’s and Sophie’s point of view in this novel, which works incredibly well and I found their voices to be easily distinguishable. While Nora and Sophie grew up in the same town, they end up having very different experiences, due to Nora leaving town, and so it was very interesting and important for this novel to feature both of their perspectives.

Sophie has known for a while that she is a lesbian but only really confronts this feeling when Nora returns to town. She is married to a man and they have a daughter, who she loves very much and is really the main reason that she is with her husband.
This was easily my favourite aspect of this novel and one that I thought was handled with incredible nuance and care. Seeing Sophie’s journey with her sexuality is powerful and so important to portray.

We see some flashbacks of her realizing that she is gay and that, while she can recognize her husband is an attractive man, she is not actually attracted to him, but that she still loves him and their daughter.
But only in the course of this novel does Sophie actually confront these feelings for the first time and talks about it and comes out to people too.

This novel manages to shine a light on the experiences that many lesbians go through. Being with men, questioning their feelings and attraction towards them and even going as far as marrying and having kids with them. And I love that this novel showed that there can be reasons why lesbians have sex with men that have nothing do with their attraction to them or enjoying or wanting it. It doesn’t make them any less gay if the reasons are something like protecting themselves (from being outed, for example) or compulsory heterosexuality.
Seeing a woman in her mid-30s come to terms with her sexuality and finally realizing that she has a right to truly be who she is and to live happily out as a lesbian, even with having been with a man for a long time, was so good to see.

Sophie is a recovering alcoholic and this is a topic that gets talked about a lot in this novel as well. We get flashbacks of how Sophie and her family realized that she has an alcohol addiction and decided to go to an AA meeting and her sponsor is a very present side-character in this story.

“My body was barraged with tiny explosions of desire and, deep down, I grieved for all the years this had been missing from my life, that Sophie had been missing. I wanted her as I’d never wanted before, and when our lips met, I fell into her.”

On the other hand, Nora has lead quite a different life. When she left her hometown, she joined the military and has PTSD due to it. Nora definitely talks about her life in the military and how it has shaped her.
And living in DC, she has lived a life as an openly bisexual woman. She is in an open relationship with a woman called Alima, who is a closeted Muslim lesbian, married to a man.

There was a paragraph where Nora talked about what identifying as bisexual means to her and I very much enjoyed the discussion on how this is a label that, while it has one general definition, still will mean something different to the people identifying with it.
I will say that in this conversation, Nora said that to her it means “enjoying connections with both genders” and I honestly never thought I would ever have to read the term “both genders” again. Genders outside the binary exist and even if this was a small part, it is very disappointing for a queer novel to not acknowledge that!

“It’s good to see being in the military didn’t turn you butch.” “Depends on your definition of butch. One definition, my personal favorite, is being able to kill a man with your bare hands. In that regard yes, the military turned me butch.””

The relationship dynamics in this novel are all complicated and messy and I think that it is very important to know that a lot of this novel has (grey-area) cheating. I know that this is an aspect that is an absolute no-go for a lot of people and so I definitely find it important to mention that this is a topic that is very present in this book.
But again, everything in this novel is handled with a lot of nuance and care and this not an element that is used as some sort of shock-factor. There is a lot of history between all the characters involved in this story.

In some ways I did think the ending was quite easily resolved. The book did a lot of good, unpacking all kinds of different things all throughout it, and the ending almost felt a little too convenient, ignoring a lot of the issues that are still present, especially considering the overall tone of the book.
That said, this didn’t hinder my enjoyment, as all sapphics deserve happy endings, especially when it is way too often taken away from us, as this story perfectly portrays. Plus, books that are marketed as Romance, especially if they are queer too, should always have Happily Ever Afters!

“Because I want to be with the woman I love, the only person I’ve ever loved. I want to feel your skin against mine, to be reminded how beautiful making love can be when you’re with someone who you want to absorb into your very being because the thought of ever being without them fills you with sense of despair so complete, so bottomless, that you’re sure you’ll never smile, or laugh, or feel whole again. ”

Now, while I loved this story so very much, I do want to point out that it is not ownvoices. The author does not identify anywhere on the LGBTQIAP+ spectrum and in the acknowledgements the author talks about the love story between these women coming together as she wrote it, with no initial intention to make this a sapphic romance.

I read an interview with the author and it very much seems like the author is in one way acknowledging that the process of falling in love is not different just because of the genders involved, while also being very aware of the individual struggles that same-sex couples will go through. I am also glad to hear that the author will be donating 10% of her royalties to the It Gets Better Project.

While none of these things influenced my personal opinion or enjoyment of this book (and I had no idea prior to reading it), I do find it important to point all of this out, so that every reader going into it is aware of this.

I definitely wish that especially a storyline like Sophie’s would’ve been written by an ownvoices author but from what I have read, both as far as interviews and the book itself, the author took so much care in writing this story and I do think it is well done, to the point where I am truly in awe of how well this was written, considering it is none of the author’s own experience at all.
But at the end of the day, I wanna leave the decision to every reader themselves and that is why I thought it important to mention this.

“I pulled her to me and kissed her, pouring into her every bit of admiration I had for her generous heart, gratitude for her courage, and hope for our future. ”

Overall, this was a very intense reading experience for me and I think that the trigger warnings and general tough topics of this novel should not be underestimated. While this book made me very happy because of the representation and themes involved, it was also not an easy read.

But if you can handle the themes and topics, I absolutely recommend this story. It was really beautiful to read about these two women finding their way back to each other and finally getting the happy ending they deserve.
The Secret of You and Me is a novel that I will carry in my heart for a long time.

Trigger and Content Warnings for PTSD (after military service), loss of a loved one, homophobia (including physical violence due to it, mentions of/being threatened with conversion therapy and homosexuality being called a mental illness), biphobia (immediately challenged), alcohol abuse, cheating, racism, chronically ill loved one, sexual harassment.

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Loveless by Alice Oseman | Drumsofautumn Review

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Before I go into any of this review, let me say that I am very aware that this book has made so many people feel incredibly seen, for many for the first time, and I am so very happy about that. But I want to share my personal experience and perspective as honestly as possible and I do not like to hold back when I think something is genuinely doing more harm than good. I not only found many things portrayed in it not well represented whatsoever but this book was really hurtful to me personally in the way that it portrayed one experience as THE aromantic asexual experience. And I hope that this community can respect my opinion without me disclosing my own orientation.
Also this will have mild spoilers, so I can actually go into detail.

Loveless tried to do a lot of good but ended up just being harmful, hurtful and offensive, invalidating literally everyone that doesn’t have the exact same experience as the main character.

This is one of those books that shows that ownvoices does not necessarily mean a book can do no harm or has perfect representation. This book would’ve immensely benefited from having sensitivity readers for the other identities portrayed AND for the aroace representation too, especially as aromantic and asexual is such a huge spectrum.

I think that a lot of the questionable things in this book could’ve been avoided by having gone through a sensitivity read by someone who, for example, is asexual but not sex-repulsed.

And by that I do not mean that this book needed to be relatable to everybody on the aroace spectrum but the least it could’ve done is make more of an effort to explain the differences and not invalidate everybody who is anywhere else on the spectrum. This identity gets explained literally once and when the main character, Georgia, actually does some research herself, she quickly logs off because she finds it too overwhelming. And while that is valid, is it just not enough for a book like this.

Georgia is clearly sex-repulsed but the word does not get used on-page ONCE and I just think that this is a problem. A sex-repulsed experience exists but it is not THE aroace experience, even tough this book sadly ends up portraying it like that.

And I get that this is a story focused on figuring your sexuality out but it really took 45% for us to get to that ONE explanation of what asexual and aromantic means. Basically no one had ever heard of this term before, except Georgia, who didn’t know what it was, even though she clearly spends a lot of time on the internet (and NOT the straight corners of it). It quite frankly seemed very convenient but made all of this unbelievable.
And what would’ve been so wrong with the character understanding these words earlier in the story but still coming to terms with the fact that that is how she feels and identifies? Instead we have to go through this character bulldozing her way through literally everybody else’s feelings, experiences and identities in order to figure this out.

But this book does not only have an aroace coming out story. It also has the storyline of Rooney, Georgia’s roommate, who she becomes friends with very quickly, figuring out she is pansexual. And we get so little pansexual representation in books, that it’s especially harmful when the little rep we do have perpetuates a harmful stereotype like it does in this case.

This character is portrayed as someone who seems very sex positive but throughout this book we find out that she basically only slept with people as a coping mechanism for her feelings and emotions that she doesn’t want to deal with. And I am not saying that this experience can’t be valid but, first of all, this book really needed this perspective of sex being something that many people do enjoy and can do without any commitment, and, again, all of this just perpetuated an already harmful stereotype without ever talking about it.

And with an identity that is so little represented, when you want to feature a full coming out story of a character (even if it is a side-character), you need to do a better job at explaining what pansexuality actually means, ESPECIALLY if you also constantly put pan and bi in the same bracket. We never once got an explanation of what pansexuality actually means or what the difference between bi and pan is. Quote: “She said she just doesn’t think she really has a gender preference and that felt like the right word for her!!!!” That is not enough if you feature a pansexual coming-out story so prominently.

And do not even get me started on when Georgia said “stop erasing my identity” in a conversation with Rooney about falling in love, when she could’ve brought up a very legit discussion on aromanticism or the difference between romantic and sexual attraction to her. Instead, she treats Rooney in the dismissive way she was so tired of being treated by everyone else.

I even would’ve found it completely valid to have this portrayed as an experience that is realizing “oh wait, this is not how everybody else feels?” instead of a “finding people you relate to”-experience, but the main character’s thoughts towards everybody else were constantly shaming them. It is okay to be sex-repulsed but you can’t place that on everyone else when sex is such a natural part of many people’s lives and something that they enjoy.

You cannot yell at and shame your friend, who you know has a lot of sex and just shared personal things with you, like what gender she fantasizes having sex with while she masturbates. Quote: “‘This has to be a fucking joke,’ I blurted. Rooney paused. ‘What?’ I sat up, pushing the covers off my body. ‘Everyone has to be fucking JOKING.’ ‘What d’you–’ ‘People are really out there just … thinking about having sex all the time and they can’t even help it?’ I spluttered. ‘People have dreams about it because they want it that much? How the–I’m losing it. I thought all the movies were exaggerating, but you’re all really out there just craving genitals and embarrassment. This has to be some kind of huge joke.’”

Also I wonder how a book that focuses so heavily on sexuality, has a super prominent non-binary side character AND a character that comes out as pansexual, could still READ SO BINARY! No one ever ACTUALLY acknowledged the existence of there being more than two genders.

And the fact that Sunil, the one non-binary character, wears a pin that says “he/they” but never once gets addressed with they/them pronouns, not even by their BEST FRIEND, is on another level too. Why introduce them using they/them pronouns when you are not going to use it? Genuinely makes me wonder who edited this book too.

There is a lot to say on how the people of colour get treated in this book as well. Like for example the way that Sunil, who is Indian, is only there to do all kinds of (emotional) labour for the main character. Or how Goergia’s best friend, Pip, who is Latinx, is portrayed like a stereotype. Or how terribly Georgia treats her throughout this entire book. Or how she says “I would choose to be gay” to her face after they just had a talk about how it hasn’t been easy for Pip to be a Latina and lesbian.. seriously, I could go on and on and on. I would encourage you all to check out Maëlys’s review, if you haven’t already, because she talks about this (and many other things too) in great detail.

And while the book definitely tried to put out the message that platonic love can be just as or even more valuable than romantic love, it just missed the mark. This is a message that I always find so important and absolutely love seeing portrayed in books but here it was almost like Georgia felt superior and like she was the only who could truly and fully love someone platonically because she would never develop romantic feelings or sexual attraction.

This book could’ve used this opportunity to talk about the existence of platonic relationships and how there are people who live as non-romantic couples.. instead it just ended in this weird triangle situation with Georgia, Rooney and Pip, introducing no boundaries whatsoever, and I cannot even get into the mess that all of that was.
And the fact that Rooney having been in a toxic relationship is getting used as an opportunity to say that platonic relationships are better than romantic relationships, is something I can’t even begin to unpack either.

I could write many more paragraphs for many more hours on this book, for example about the time when Georgia just picks up her roommate’s phone without her consent and the roommate is just like “okay no prob”. Or when the lesbian character is the one who says “how do you know you won’t find someone one day?”, so Georgia gets to be the one to say “how would you feel if I said this towards you” and on and on and on.

I’m not saying characters can’t be flawed or unlikeable or fuck up. But this book is one big fuck-up. From the way Georgia behaves and treats other people to the things that this book portrays and talks about in general. Considering all the things that this main character says and does and thinks throughout this book, there is just not enough repercussions for it. There is not enough people calling Georgia and her bulldozing behaviour out and it is not okay.

At the end of the day, despite knowing how many people saw themselves in this book and the main character’s experience, I simply cannot recommend this book whatsoever. A book that shames and invalidates everybody else’s experiences to further a main character’s journey is just not a good book.

If you’re looking for something else to read instead, I highly recommend Summer Bird Blue by Akemi Dawn Bowman for a book with amazing aroace questioning rep without invalidating anybody else!

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Summer Bird Blue by Akemi Dawn Bowman | Drumsofautumn Backlist Review

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“Because to Lea and me, music wasn’t only about sounds. Music was scenery and smells and tastes and magic, too. But it doesn’t feel like magic anymore – it feels like I’m being haunted.”

Summer Bird Blue is an intense Contemporary novel that deals with grief in a way that I have never come across before.

At the center of this novel Rumi, who, after losing her sister Lea in a car accident, gets sent away to live with her aunt in Hawaii, while her mum deals with her own grief.
We follow Rumi as she tries to process this loss, feeling abandoned by her mother and trying to find her way back into writing music, which was a hobby that she shared with and deeply connects to her sister.

Before I get into my thoughts and feelings on this book, I wanna talk about the representation. The main character, Rumi, is multiracial (Hawaiian, Japanese and white). There’s a lot of biracial side- and minor characters and many of them speak Hawaii Pidgin English.

This book also features some amazing questioning rep. The way Rumi describes being unsure about her romantic and sexual orientation, about not feeling comfortable with even the idea of labels, about being so sure how she feels but becoming insecure about it when everyone tells you that’s not how it’s supposed to be, about being scared that you settle on a label and then you realize it doesn’t quite fit or things have changed.. it all truly blew my mind. Eventually Rumi plays with both the asexual and aromantic label and she is definitely a-spec but it feels like she never quite wants to settle on any labels.

It was so very easy to relate to Rumi and I think that many people who have struggled with their identity will. As someone who has been questioning and struggling with orientation well into my twenties, this is some of the best questioning rep I have EVER read. Akemi Dawn Bowman absolutely nailed it.

“I’m not comfortable with the labels, because labels feel so final. Like I have to make up my mind right this second. Like I have to be sure of myself as everyone else seems to be.”

The writing is beautiful and fascinating in every aspect. I have never in my life seen grief described this way. The imagery, the metaphors, the similes.. it made the pain and the anger so vivid and relatable. Whether you’ve ever lost someone so close to you or not, Rumi’s pain grabs every little bit of you and does not let go. I would almost say be careful going into this if you experienced a loss just recently. It is already a tough read as it is!

The music aspect spoke to my heart and soul and is something that I just felt a very personal connection to. I don’t really have a person that connects me to music as Rumi is connected to Lea through it, but I still could really relate to so many thoughts about music, about the songwriting process and about how much music can heal but also hurt and trigger negative emotions. The intense way Rumi feels about music and what it means to her, before and after the accident, is pouring out of these pages.

“Because music is a carnival at night, lit up by a thousand stars and bursting with luminescent colors and magical illusions. Music is magic and lightning and fireworks.”

I loved that as an adult I could read this novel and understand Rumi’s mum while still also very much understanding where Rumi’s anger towards her is coming from and how justified it is. I appreciated that this was a novel, where, eventually, the two found their way back together, but I never felt like this novel was trying super hard to excuse her mum’s behaviour.

Everything, every emotion Rumi had about her mother and the way she behaved during the grieving process, was valid, even after they talked and Rumi’s mum gave a good explanation and it was portrayed like that too. This book does not invalidate Rumi’s feelings or even the way Rumi behaved towards her mother and I feel like this is just generally something that YA, as it’s mostly written by adults, often gets so wrong. It is a genre about the lives and feelings of teens and an adult’s “redemption” does not necessarily need to be part of that.

And honestly, if you’re an adult and you cannot handle Rumi’s behaviour, I seriously think it is time for you to reflect on how you read Young Adult novels because it is NOT written for you.

“My shoulders shake like there’s an earthquake in my core. Every inch of me tenses up like I’m bracing for the room to split apart – for the earthquake inside me to be real. I imagine the room exploding to bits, with pieces of drywall and tile flying in every direction and the tremor of the earthquake breaking the building in half.”

There’s also so many amazing friendships featured in this novel. I always love when a book displays different kinds of friendships and how some friends are the ones you laugh with and others are ones you cry with and some are ones you have adventures with. Sometimes friends are all of those things but I just like when it is recognized in YA that a friendship with a certain person can be especially benefiting for one aspect.

Especially the way that the friendship between Kai and Rumi, a surfer boy she gets to know in Hawaii, is written, is super special. Not only does it portray a “friendship crush” incredibly well, this friendship is also taken seriously as an important relationship in their lives, while being non-romantic and confined to a time and place. It is so special to read about a friendship like this.

On top of that Kai has romantic feelings for Rumi and this book shows that when two people really mean something to each other, you can still work on that friendship and stay good friends, even with one person having romantic feelings. This certainly doesn’t work for everyone and you have to figure things out on the long run but I loved seeing this portrayed as something that is absolutely possible!

There’s also the amazing friendship Rumi has with an elderly man, Mr. Watanabe. This might have been my favourite relationship in this whole novel. I was so emotionally involved in this development and the way these people were there for each other and meant so much to each other’s lives, while barely even acknowledging that. You could feel the impact these two had on each other and I thought that this was an incredibly special relationship.

“I don’t know how something as beautiful and important as music could suddenly feel so empty and cruel. Music used to be life and hope and everything happy. Now it’s full of ghosts.”

Overall Summer Bird Blue is an amazing novel, that deals with loss and grief, friendship and family, hurting and healing and figuring your identity out on top of all that. It feels like Akemi Dawn Bowman lay her soul bare. To me, this is an absolutely remarkable novel.

Trigger and Content Warnings for loss of a loved one, car accident, depression, violence.

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✨ Lea posts a review on Meltotheany every Friday! Read more of her reviews HERE! ✨

I Kissed Alice by Anna Birch | Drumsofautumn ARC Review

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ARC provided by the publisher via Edelweiss

“She says she sees this version of Alice in me and reminds me almost daily that being brave simply means doing the hard thing—even if you’re terrified.”

I Kissed Alice is a YA Contemporary that I think will be incredibly divisive but that I loved so very much for its flawed and unlikeable characters and portrayal of the complexity of friendship.

I’m not gonna lie, this is one of those reviews that I’m almost dreading to write a little bit. I just think this book is going to have a lot of mixed reactions and will definitely not be for everyone but I personally loved every bit of it and I found myself relating to a lot of the inner monologue. I think this book offers a very realistic look at friendships and honestly it’s one of those books that I wish I would’ve had as a teen for many, many reasons.

Don’t be misled by the cover or the synopsis the publisher has provided. This book is not a fluffy sapphic rom-com whatsoever. This book is hard-hitting and emotional, filled with incredibly flawed, downright unlikeable characters. It’s honestly a book that turns most other YA Contemporaries completely on their head, where we get a cute falling in love story all throughout the book and then just a little bit of a fall towards the end, so we feel like the happily every after is especially rewarding.
This book is just one big fall. It starts out kinda messy and then it just gets messier as we go.

Our two main characters, Iliana and Rhodes, constantly fight with each other. This is not just some cute teasing, where you can see that they actually have feelings for each other. These characters are very mean to each other and the reason why they are is not only because they are competitors for a scholarship but because they have the same best friend, Sarah, and constantly fight for her attention or being “the better friend”. There are lots of things as to why the characters treat each other the way that they do but the synopsis is definitely quite misleading by just making it about the competition.

“My conversation with Mom a few nights ago hangs over my head, an entire childhood of Sarah standing too close to the blast zone while I pack dynamite into the crevices of each wall that has stood in the way of getting what I want. She has always been in the position to lose something where I’ve stood to gain.”

Really, the biggest theme of this book is jealousy, in all its ugly forms, and how messy and confusing friendships and feelings can be.
There is not only the element of Iliana and Rhodes not treating each other well. In their constant competition with each other, they also often make Sarah a tool to prove who is the better person or friend, more than ACTUALLY being a good friend. But Sarah is not any better. She, too, takes advantage of her friendship with the two, sometimes acting especially close with one of them to make the other jealous. You get what I mean when I say this is all very MESSY?!

But I would refrain from criticizing this book for portraying “girl hate”, as the motives for these behaviours become very clear throughout the book and it is much more complex than just that. I think this is exactly where this book stands out when it comes to the way the friendships are portrayed. There is depth to the dislike between these characters, which is something a lot of other YA books cannot offer because their focus simply lies somewhere else.

“No, I want to scream back to myself. Cheshire is the realest thing I have right now. Cheshire is real. What we have is real. And yet. The whispering continues. Anxiety doesn’t care about the laws of the universe. All it takes is one singular seed of fear and all bets are off.”

Honestly this book is really the hate to love trope in its truest form and maybe the only reason it works (although it still won’t work for many people) is that Iliana and Rhodes have an anonymous online relationship. They never really define what they are but it is clear from a lot of their texts but especially their thoughts that they both are not only in love with each other but want to be with each other too. You have to judge and see for yourself if you find this aspect realistic, especially considering that it is anonymous, and we obviously see how much they despise each other in real life, but I was feeling pretty soft about this aspect of the story.

I also loved the webcomic that the two write together. It is a fanfiction of Alice in Wonderland and it mirrors the relationship between the two perfectly and beautifully. Sadly we only get to see a little part of it and I honestly wish we had gotten more, especially as it includes beautiful illustrations by Victoria Ying!

“All I want is to curl up next to Cheshire and listen to all of her theorizing face-to-face, find some kind of a keyhole I could squeeze through into another life and another world where anonymity and distance doesn’t separate us. Sometimes I’m afraid that all she sees of me is a computer screen—to me she’s real, and she’s perfect. She’s all I’ve ever wanted.”

In the book we read from both Iliana’s and Rhodes’s perspective and I will say that I found their voices kinda hard to distinguish, to the point where there was one chapter in which I thought I was reading from the other POV. That’s definitely the biggest flaw with the writing for me personally. Iliana and Rhodes are two very different characters and that’s easy to tell from the story in general but their voices read very similarly and the tone of this book stayed the same all throughout, which was a little bit of a bummer but obviously didn’t really influence my overall love for the book.

Both the main characters are obviously queer. Iliana identifies as bisexual and is also fat. Rhodes does not use any label. Sarah is also queer but uses no label.
We also have Rhodes dealing with both depression and anxiety and going to therapy. I feel like there are little YA books that actually feature characters going to therapy within the book and us experiencing the sessions along with them and I immensely appreciated the inclusion of this aspect, although I can’t quite make up my mind on if I found the therapy sessions well done.

“I’ve been stretched about as far as I can go, and the only thing left is for me to snap.”

This book also puts an emphasis on falling out of love with your passion, which is a topic that I always appreciate deeply. Rhodes has trouble drawing for school and for the scholarship competition and the drawing for the webcomic and working together on it with Cheshire (Iliana’s online persona) is the only thing that still brings Rhodes joy.

But this novel also shines a light on privilege. It is a message that is subtly woven into the pages of this book but it is there. It shows how certain privileges do not only give you advantages in life but also that growing up with these privileges will give you a different perspective on a lot of things.

“According to Sarah, Iliana left Victory Hills High School like she leaves everything else: scorched earth, dousing every bridge with gasoline and dropping matches on her way out. Sarah told me once that she doesn’t know which came first: Iliana hating, or being hated.”

Especially in Rhodes’s chapters we also have some very interesting family dynamics. Rhodes has a really lovely relationship with her brother, Griffin, that I loved reading about. Maybe Griffin is actually the most likeable character in this entire book but it was especially wonderful to see their relationship and the way they unconditionally love each other, which felt especially comforting when everything else in this book feels so conditional, unsure and complicated.

Rhodes’s mother also plays a big part in this novel and is a good example for how a perfect looking, wealthy family, doesn’t necessarily have to be all that. Rhodes’s mum has a drinking problem and definitely acts questionable in a lot of ways.
On the other hand, Iliana’s mum positively stands out in this book, even though we don’t get to see that much of her. I loved seeing the very different relationships both of these girls have with their mothers.

“I gave her what she needed—space—and I turned my heart toward the very specific pain of getting used to the idea of what life will look like now without the person who filled it with color.”

As for the ending and if I ended up finding all of it believable? I honestly don’t know. But I’m still just head over heels in love with this story and the brutally honest way in which these characters were portrayed.
I think that this book is, if anything, brave. It depicts all the aspects in such a real way and it just doesn’t hold back in order to bring comfort to the reader and I liked that so much.

I think what eventually fully won me over, to the point where I could wholeheartedly give this 5 stars, is that at the end of this novel the characters have all gone through a lot of character development but they are still far from being perfect people.
They recognize their mistakes and fucked up behavior, they cut ties with some people and don’t just act like none of the things that have been said or done have never happened. I think the ending of this novel has a good balance between being hopeful, while still being realistic and that is something I very much appreciate.

“She walks past Sarah and me without another word, a girl who struck a match and doesn’t wait around to watch the entire world catch fire.”

Overall, I honestly have no idea if I would recommend this book. It is a study in flawed characters and I know it won’t be an enjoyable reading experience for everyone.
But for me personally, reading this book was a rewarding experience that emotionally captivated me on every page. I definitely recommend giving this a chance but don’t say I didn’t warn you if you don’t like it.

Trigger and content warnings for depression, anxiety, alcohol abuse (off-page, side character), cheating (off-page, side character).

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✨ Lea posts a review on Meltotheany every Friday! Read more of her reviews HERE! ✨

The Princess Will Save You (Kingdoms of Sand and Sky #1) by Sarah Henning | Drumsofautumn ARC Review

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ARC provided by the publisher via Edelweiss

“True love is already yours. True love is the most powerful force on this earth—we just forget it because those with power here deal in fear rather than love.”

The Princess Will Save You is a YA Fantasy that, while feeling very familiar in a lot of ways, is quite a refreshing take on the genre.

I absolutely loved Sarah Henning’s debut novel, Sea Witch. It was one of my favourite books of 2018, and so I was very excited to read a new book by this author and I did not end up being disappointed.

The book follows princess Amarande after the death of her father and her being coerced into a political marriage. When someone kidnaps the stable boy, Luca, who she has a relationship with that clearly exceeds that of a platonic friendship, she goes after the kidnappers to save Luca herself.

“My father’s blood flows in my veins—that’s what is so precious to this kingdom. To this line. To these contracts. I have that blood—what does it matter if I’m a girl? What’s more important? The blood or the law?”

Immediately in the beginning of the book you can tell that Amarande is an incredibly strong character, who is ready to fight for her own rights. While she might’ve grown up as a princess, she was also trained in fighting and has no issues standing up for herself, both physically and verbally.

I feel like often in Fiction, people wanna make it seem like female characters can’t be in love and pursue their love interest, while still being strong and independent women. I feel like this book really tried to turn this “trope” on its head by making the princess the one who rescues her love interest. She takes matters into her own hands in many ways and while she describes Luca as her one weakness, in many ways her love for him is also what makes her strong and I very much enjoyed that.

Amarande is a nuanced and multi-faceted character. While she was trained in combat her whole life, it was also still clear that she grew up with many privileges and as a sheltered princess who never actually had to fight for her life. I liked that we got to see her as someone who would do so much to protect herself and the people she loves, while also still being overwhelmed with being put into a literal life or death situation.

Amarande also goes through some really interesting character development throughout the book which has me particularly excited for the sequel and also seeing her character deal with the aftermath of everything that happened within this first book.

“The princess swallowed and shut her eyes for a moment. She was not helpless. It was not hopeless. Again, her father came to her. A warrior made is a warrior alive. The tenet was an obtuse one, but said plain, the meaning was: Use what you have to your advantage to survive. ”

Overall this novel was absolutely screaming girl power and I enjoyed the focus of this story so much. Even though this Fantasy world is definitely a patriarchal society and a big chunk of this book is Amarande being on a journey to save Luca by herself, this book is still filled with amazing female characters that we will hopefully see so much more of in the sequel.

While people might expect this book to have a big focus on the romantic aspect, it honestly doesn’t. As mentioned before, the princess’s motive throughout the story is her love towards Luca but the romantic storyline in and of itself is kept quite brief as the development of the romantic feelings between the two characters has already happened way before this book. Really, it is an open secret that these two characters have feelings for each other and they’re both quite aware of it too. So we have a few, short romantic scenes, but really, it takes a back seat to everything else.

That makes the book also refreshingly void of angst. I definitely love me some good angst if it is well done but in this story, where the focus is on so many other things, I really enjoyed that the author decided to actually make the romantic aspect of this story one that is uncomplicated… especially considering the circumstances around them are complicated enough.

“That feeling in her heart was back, as if it were made of wax, melting into nothing within her chest. Her Luca. Amarande kissed him then—forehead first, then the bridge of his nose, the tops of his cheeks. ”

There was also a small part about consent and how it can be a complicated situation with the power dynamics that exist between a princess and a stable boy. The princess has a point where she questions her behavior towards Luca and while it was only a short section, I appreciated that this was brought up because it is something that I rarely see portrayed for relationships like this.

This also had one of the most exciting epilogues that I have ever read in my life and this definitely affected my enjoyment of the story in a very positive way. It was truly fascinating to me because there were some unanswered questions throughout the story that got answered in the epilogue but it also unfolded a storyline that has me shaking in my boots for the sequel. If I could, I would pick it up right now!

But thankfully it is not the kind of ending that leaves you completely hanging, fearing for a character’s life or the future of an entire kingdom. The ending feels immensely satisfying, both with how this particular story arc ends but also with it leaving you wanting more and being excited for all the possibilities of the sequel.

“She wouldn’t cheapen what he was worth to her. He was worth literally everything she’d been through thus far, plus what was to come, and more—diamonds, battle, the political ramifications. Everything. ”

So overall, I had a really good time reading this book. I think it definitely had its slow parts but I wouldn’t say that that was necessarily something negative within this book at all. I just think the author took her time with certain things and rightfully so, as it does pay off.

I would definitely recommend this book for anybody that enjoys YA Fantasy in general but especially for fans of books like Graceling or The Kiss of Deception.

Trigger and Content Warnings for sexual harassment, trafficking, vomiting, violence, blood, torture and forced marriage.

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✨ Lea posts a review on Meltotheany every Friday! Read more of her reviews HERE! ✨